DIE LIEGENDE – SHE IS TOO MUCH, 2019 installation ARTIST STATEMENT, Parallel Vienna 2019
DIE LIEGENDE, 2019 athletic mesh fabric, distemper, soot pigment, cold foam on pedestal in collaboration with JULIAN FERITSCH: steel, leather straps, resin varnish
SHE IS TOO MUCH, 2019 gravure print and pigments on paper, steel, blacksmith coating, glas
SHUTTER, 2019 gravure print and pigments on paper, steel, blacksmith coating, glas SALTBOX CATSLIDE ROOF, ve.sch Vienna,Kaltenleutgeben 2019
ALL WHITE, 2017 Soloshow at gärtnergasse Vienna, 2017 © Philipp Friedrich
SQUEEZING ALL MY GESTURES INTO A SMALL DELIVERY BOX AND MOVING ON, 2017 steel, varnish, athletic mesh fabric, distemper, soot pigment, zipper, PVC ALL WHITE, gärtnergasse Vienna, 2017 © Philipp Friedrich
POWER DRESS #2, 2013/2017 waxed steel, stainless steel magnets, waxed linnen cord / 53 x 0.8 x 0.8 cm ALL WHITE, gärtnergasse Vienna, 2017 © Philipp Friedrich
WHITE FLIGHT (Pure Moving), 2017 galvanized steel lattice, concrete, steel / 540 x 100 x 66 cm / series of 3 installation view STADT UNTER, Carinthia (AT), 2017
WHITE FLIGHT (All In Moving), 2017 galvanized steel lattice, concrete, steel / 570 x 100 x 66 cm / series of 3 installation view STADT UNTER, Carinthia (AT), 2017
SHADES, 2017 steel, aluminium, brass, varnish / 2 parts, each 176 x 80 x 170 cm exhibition view SIDE EYES at The Tip Frankfurt, 2017
In my case, I am standing in front of a locker, trying to get a better understanding of what is happening around me. „Are you really gonna stand there staring at me all the way from across the room?“ We don´t seem to think of dynamite things to say to each other which (in our case) doesn’t bother any of us. Discomfort in my body yet. Squeezing all my gestures into a small delivery box and moving on. Still… I am lined up in her sight. I am starting to whistle away gently to myself, raising an acoustic protective film around me. While walking around and casting a net wide just to catch the situation, I am realizing a cluster of people well known. Kind of eased I discontinue whistling and dispel my shell. Time to caress my catch … here we go, I have no idea what is going on.
(Text by Julian Feritsch & Julia Hohenwarter)
SI, 2017 iceberg jacket, metal,cotton yarn, varnish /dimensions variable exhibition view SIDE EYES at The Tip Frankfurt, 2017
PAST THE DRIVE-THRU BANK, PAST THE VALET, PAST THE PASTICHE OF SUPERFICIAL REFLECTIONS LOOP UP TO AMNESIA, 2016 essay, music tracks, soundcheck, steel, etching ink, light sticks, athletic mesh fabric, pigment, wax, varnish, metallparts, engravings, T-shirt, embrodery, MP3 player, headphones, speaker / dimensions variable / in collaboration with Julian Feritsch exhibition view LOS ANGELES at MAK Center for Art and Architecture – The Schindler House, LA 2016
Vienna-based artists Julian Feritsch and Julia Hohenwarter operate simultaneously as forensic examiners of space and producers of the environment to be examined. Negotiating different forms of deserted public landscapes—synthetic manicured environments across the corporate spaces of Los Angeles—the two have focused their study on the ‘leftovers’ of quasi-public space. What narratives form from the traces and residue of bodies that have passed through contemporary, controlled spaces? For their installation at the Schindler House, Feritsch and Hohenwarter present a scenic, multimedia environment in the set-up of an intimate, impromptu gathering, much like a picnic. Visitors to the exhibition will find themselves archeologists within the situation, slowly putting together again the activity evidenced by the sculptural, textual, textural, and audio components.
(Anthony Carfello, Director, MAK Centre for Art and Architecture)
CHERRY, SIERRA, CHEDAR, 2015 fabric, clay, waterglass, pigments, metal, concrete / 5 parts installation (each 104 x 200 x 10 cm) exhibition view HIGH PERFORMANCE, Kunsthalle arlberg1800, 2015 © Phillip Schuster
OHNE TITEL (Display), 2014 wood, soot, pigments / variable dimensions exhibition view NEW WAYS OF DOING NOTHING, Kunsthalle Vienna, 2014 © Stephan Wyckoff
OHNE TITEL (Output), 2014 wood, soot, pigments / variable dimensions exhibition view NEW WAYS OF DOING NOTHING, Kunsthalle Vienna, 2014 © Jorit Aust
OHNE TITEL (Display), 2014 wood, soot, pigments / variable dimensions exhibition view NEW WAYS OF DOING NOTHING, Kunsthalle Vienna, 2014 © Jorit Aust
JOHNNY, 2013 Soloshow at Stadtgalerie Klagenfurt (AT), 2013
CATWALK, 2009/2012 wood, latex paint / 176.5 x 890 x 100 cm exhibition view UTOPIE GESAMTKUNSTWERK, 21er Haus Vienna, 2012